A continuation of the Oscars 2021 series. Previous entries: King Richard/ Belfast, Dune, West Side Story)
The Power of the Dog is nominated for 12 Oscars: Best Picture, Best Director (Jane Campion, The Piano) , Beset Actor (Benedict Cumberbatch), Best Supporting Actor (Kodi Smit-McPhee and Jessie Plemons), Best Supporting Actress (Kirsten Dunst), best Adapted Screenplay, Best Production Design, Best Sound, Best Cinematography, Best Film Editing, Best Original Score, and is rated R. (Top 5 Oscars nominations: 4, the most so far)
The story revolves around two brothers, Phil (Benedict Cumberbatch) and George Burbank (Jesse Plemons) who have come back to their Montana ranch home. Upon their arrival in town, they and their workers have a meal at a boarding house restaurant, run by Rose (Kirsten Dunst) and her son, Peter (Kodi Smit-McPhee). George marries Rose after a few days’ acquaintance, and takes her back to the family home, with Jesse still working and living at the boarding house. Phil doesn’t, to put it mildly, like this. After a year spent at college, Peter comes to live with his mother and stepfather for the summer.
This is not a comfortable movie to watch. It’s a nicely produced movie, but it’s a movie that sets your teeth on edge. It makes me wonder if people actually liked this movie or if they just think it’s appropriate “artsy” and thus, should be nominated for things. There’s no real story, moral, theme, what have you. There’s no clear arc for the characters. It just…is.
Cumberbatch’s nomination is clearly because he’s playing a baddie, as the Brits would say. He’s good—Cumberbatch is good in just about any role he does—although his American accent is terribly flat (especially up against the Americans in the cast). But there’s no real brilliance in his acting, like there is in Will Smith’s Richard Williams.
The movie is based off a novel, and there are interruptions every so often of “chapter numbers” on a title card, which creates jarring jumps in time. The movie also takes place during Prohibition, but there is conspicuous alcohol consumption everywhere, even at Rose’s boarding house, which would clearly be illegal. (This also becomes a major plot point, which is not….feasible, given where the family lives.)
I kept thinking, What was the point of this movie? What’s the value of making it, of telling it? There’s no arc, no redemption, no…anything. It showcases the worst sides of humanity and honestly, we don’t need a movie that does that. The “gotcha” ending doesn’t even sound plausible to me.
So, as you can probably tell—I did not like this movie. It was a waste of two hours and a lot of acting talent that could’ve been put to better use.